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  • The Art of Japanese Architecture : History / Culture / Design
    The Art of Japanese Architecture : History / Culture / Design

    The Art of Japanese Architecture presents a complete overview of Japanese architecture in its historical and cultural context.The book begins with a discussion of early prehistoric dwellings and concludes with a description of works by important modern Japanese architects.Along the way it discusses the iconic buildings and architectural styles for which Japan is so justly famous—from elegant Shinden and Sukiya aristocratic villas like the Kinkakuji "Golden Pavilion" in Kyoto, to imposing Samurai castles like Himeji and Matsumoto, and tranquil Zen Buddhist gardens and tea houses to rural Minka thatched-roof farmhouses and Shinto shrines.Each period in the development of Japan's architecture is described in detail and the most important structures are shown and discussed—including dozens of UNESCO World Heritage Sites.The aesthetic trends in each period are presented within the context of Japanese society at the time, providing a unique in-depth understanding of the way Japanese architectural styles and buildings have developed over time and the great variety that is visible today. The book is profusely illustrated with hundreds of hand-drawn 3D watercolor illustrations and color photos as well as prints, maps and diagrams.The new edition features dozens of new photographs and a handy hardcover format that is perfect for travelers.

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  • City Street Blocks Chinese Culture Tradition Architecture Model Building Blocks Birthday Festival
    City Street Blocks Chinese Culture Tradition Architecture Model Building Blocks Birthday Festival

    City Street Blocks Chinese Culture Tradition Architecture Model Building Blocks Birthday Festival

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  • City Street Blocks Chinese Culture Tradition Architecture Model Building Blocks Birthday Festival
    City Street Blocks Chinese Culture Tradition Architecture Model Building Blocks Birthday Festival

    City Street Blocks Chinese Culture Tradition Architecture Model Building Blocks Birthday Festival

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  • Public Humanities in Architecture : Reflections on Heritage, Culture, and History
    Public Humanities in Architecture : Reflections on Heritage, Culture, and History

    Anyone concerned with the history, tradition, and culture of our built environment will sooner or later come across the term ‘Public Humanities’.At the interface between an academic discipline and the media-oriented culture industry, Public Humanities is established as a field of inquiry in the US and is increasingly becoming so in Europe too. Whether this field of research remains a product of Western culture will only become apparent in the coming years.However, linking architectural debate with the humanities is an important concern of the papers collected here. These essays on architectural theory provide academic food for thought while encouraging reflection on the discipline of architecture and stimulating urban design in the twenty-first century.The lectures collected here are from a class on Public Humanities at Brown University.

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  • What is the difference between culture and tradition?

    Culture refers to the beliefs, customs, arts, and social behaviors of a particular group of people, encompassing a broader range of practices and values. On the other hand, tradition specifically refers to the customs and practices that are passed down from generation to generation within a specific community or society. While culture is more dynamic and can evolve over time, traditions tend to be more static and rooted in history and heritage.

  • What is the meaning of tradition, culture, and identity?

    Tradition refers to the customs, beliefs, and practices that are passed down from generation to generation within a community or society. Culture encompasses the shared values, beliefs, and behaviors of a particular group of people, including their language, art, music, and social norms. Identity is the sense of self and belonging that is shaped by one's cultural background, traditions, and experiences. Together, tradition, culture, and identity form the foundation of a person's sense of belonging and connection to their community and heritage.

  • What is a village history?

    A village history is a record of the events, people, and developments that have shaped a particular village over time. It typically includes information about the founding of the village, its growth and development, significant events that have occurred there, and the impact of various social, economic, and political changes on the community. Village histories often also include details about prominent individuals, local customs and traditions, and the evolution of the village's physical landscape. These records are important for preserving the unique identity and heritage of a village and providing insight into its past.

  • What are electricity and high culture history?

    Electricity history refers to the development and use of electricity as a form of energy, including the discovery of electricity, the invention of electric devices, and the establishment of electrical systems. High culture history, on the other hand, refers to the history of cultural and artistic achievements that are considered to be of high quality and sophistication, such as classical music, literature, fine arts, and theater. Both electricity and high culture history have evolved over time, shaping the way we live and appreciate the world around us.

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  • New Zealand History and Cultural Environment : Early history, Settlement, People and Tradition, Polynesians, Maori culture
    New Zealand History and Cultural Environment : Early history, Settlement, People and Tradition, Polynesians, Maori culture

    New Zealand History and Cultural Environment. Early history, Settlement, People and Tradition, Polynesians, Maori culture.Contemporary New Zealand has a majority of people of European origin, a significant minority of Maori, and smaller numbers of people from Pacific islands and Asia.In the early 21st century, Asians were the fastest-growing demographic group.New Zealand was one of the last sizable land areas suitable for habitation to be populated by human beings.The first settlers were Polynesians who traveled from somewhere in eastern Polynesia, possibly from what is now French Polynesia.They remained isolated in New Zealand until the arrival of European explorers, the first of whom was the Dutch navigator Abel Janszoon Tasman in 1642.Demographers estimate that, by the time British naval captain James Cook visited the country in 1769, the Maori population was not much greater than 100,000.They had no name for themselves but eventually adopted the name Maori (meaning "normal") to distinguish themselves from the Europeans, who, after Cook's voyage, began to arrive with greater frequency

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  • Architecture and Spatial Culture
    Architecture and Spatial Culture

    Built space supports our daily habits and our membership of communities, organizations, institutions, or social formations.Architecture and Spatial Culture argues that architecture matters because it makes the settings of our life intelligible, so that we can sustain or creatively transform them. As technological and social innovations allow us to overcome spatial constraints to communication, cooperation, and exchange, so the architecture of embodied experience reflects independent cultural choices and human values.The analysis of a wealth of examples, from urban environments to workplaces and museums, shows that built space functions pedagogically, inducing us to specific ways of seeing, understanding, and feeling, and supporting distinct patterns of cooperation and life in common. Architecture and Spatial Culture is about the principles that underpin the design and inhabitation of space.It also serves as an introduction to Space Syntax, a descriptive theory used to model the human functions of layouts.Thus, it addresses architects, students of architecture and all those working in disciplines that engage the design of the built environment and its social effects.

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  • Formulations : Architecture, Mathematics, Culture
    Formulations : Architecture, Mathematics, Culture

    An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century. In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics.The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design.Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects. Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design.These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques.Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.

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  • Goa’s Bom Jesus as Visual Culture : The Basilica’s Architecture, Image, History and Identity
    Goa’s Bom Jesus as Visual Culture : The Basilica’s Architecture, Image, History and Identity

    This book chronicles the visual history of the Basilica of Bom Jesus, one of the longest-surviving churches from Goa’s Portuguese colonial era.In the sixteenth century, this baroque church in Old Goa was constructed to house the sacred relics of St.Francis Xavier and is emblematic of Goa Dourada or Golden Goa. Despite their early modern origins, monuments like the Basilica continue to influence visual culture that pertains to Goa.Accordingly, this book uncovers the traces of architectural images of Goa’s sixteenth- and seventeenth-century monuments and conducts a genealogical study of how uses of religious architecture shift over time.Thus, even as the Basilica originally functioned to portray or recall a grand empire by evoking the notion of Goa Dourada, its iconicity has been employed in marking Goa’s difference from the rest of India thereafter.By employing an analysis of historical texts, illustrations, photography, film, and pageantry, this volume demonstrates how the image of the Basilica has been employed to create a discourse on Goan identity.In fact, right from the colonial period, when Goa was heralded as the Rome of the East, to the post-Portuguese period, when Goa became an idyllic destination for leisure tourism, architectural images of Bom Jesus have been central in shaping Goa’s identity. Goa’s Bom Jesus as Visual Culture will be useful to students and educators in the fields of architecture, history, anthropology, sociology, history of architecture, and colonial/postcolonial studies.Finally, the long history of a single monument that the book documents highlights how Goans have been shaping their unique culture.At the same time as Goans imbibed Portuguese and other European influences, they also domesticated and remade such colonial heritage in South Asian fashion and, in turn, contributed to global aesthetics.

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  • What is the difference between low culture and high culture in history?

    Low culture refers to the cultural activities and products that are considered to be more common, popular, and easily accessible to the general public. This can include things like popular music, television shows, and mass-produced literature. On the other hand, high culture refers to the cultural activities and products that are considered to be more refined, sophisticated, and often associated with the elite or educated classes. This can include things like classical music, fine art, and literature that is considered to be more intellectually challenging. The distinction between low and high culture has been a source of debate and has evolved over time, but it generally reflects the social and class divisions within a society.

  • Does anyone know about the Islamic Golden Age in architecture and culture?

    Yes, the Islamic Golden Age was a period of great cultural and architectural achievements in the Islamic world, spanning from the 8th to the 14th century. During this time, Islamic scholars made significant advancements in fields such as mathematics, astronomy, medicine, and philosophy. In terms of architecture, the Islamic world produced stunning examples of mosques, palaces, and other structures, characterized by intricate geometric patterns, domes, and arches. This period also saw the development of beautiful decorative arts such as calligraphy, ceramics, and textiles. Overall, the Islamic Golden Age left a lasting legacy in both architecture and culture.

  • Is mass tourism a necessary economic factor or a destruction of culture and environment?

    Mass tourism can be seen as a necessary economic factor as it brings in revenue and creates jobs in the tourism industry. However, it can also be destructive to culture and the environment if not managed properly. Overcrowding, pollution, and the commercialization of local traditions can lead to the degradation of cultural heritage and natural resources. Therefore, it is important to strike a balance between the economic benefits of mass tourism and the preservation of culture and the environment.

  • What is a question about the history of Romanesque architecture?

    How did Romanesque architecture evolve from the earlier Carolingian and Byzantine styles?

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